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Images from a book published by The Society for Promoting Christian Knowledge (SPCK) in 1866. The SPCK is based in London and is still active today.https://en.wikipedia.org/wiki/Society_for_Promotin...--------11/25/25"The Land of Israel: A Journal of Travels in Palestine" by H.B. Tristram is an 1865 travelogue documenting the author's journey through Palestine in 1863-1864. Tristram, an ornithologist and clergyman known also as a Fellow of the Royal Society and Canon residentiary of Durham, wrote this book for a popular audience. The book combines detailed observations of the region's antiquities, geography, and native wildlife with scriptural quotations to demonstrate that the Bible accurately describes the physical characteristics of the land.The work is notable for blending natural science with religious insight, reflecting Tristram's early support of Darwin's theories and illustrating the relationship between religion and natural sciences at the time. It provides a vivid, engaged perspective on Palestine's landscape, flora, fauna, and historical sites, portraying a scientifically informed yet theologically grounded account of the Holy Land.In addition to his travels, Tristram's book was recognized for its detailed and well-illustrated descriptions of the Holy Land's physical geography, meteorology, zoology, and botany, making it a significant historical document of 19th-century exploration and biblical scholarship connected with the land of Israel.Source: Perplexity.ai--G. Ly keywords: 19thCentury
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I became aware of this book after reading Hampton Side's amazing book, In the Kingdom of Ice, which tells the story of the 1880's De Long expedition of the Jeanette to the North Pole. As a part of the Jeanette story, Sides tells the story of the Corwin, which had a famous crew member, John Muir, who later wrote a book called The Cruise of the Corwin. This exhibit is an official report of one of the cruises of the Corwin, in 1885, led by Michael A. Healy, although it was not the same cruise during which Muir was a crew member, in 1881. However, in that 1881 cruise, whose purpose was to find the De Long expedition, Healy was in command and Muir was one of the crew. keyword: 19thCentury
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This exhibit comes from a book about the Nile River, published in 1852, during a period of European history in which people were consumed with Egyptomania. It has an excellent map of the Nile, made about 7 years before construction began on the Suez Canal. The author was William Henry Bartlett who, according to Wikipedia, "one of the foremost illustrators of topography of his generation.""The Nile Boat or Glimpses of the Land of Egypt" is a book written by W.H. Bartlett. It was originally published prior to 19231. The book provides a glimpse into the land of Egypt and its culture. It has been published in multiple editions, including a fifth edition with an embossed and gilded hardcover2. The third edition was published by A. Hall, Virtue and Company in 18523. Source: perplexity.aiWilliam Henry Bartlett (March 26, 1809 – September 13, 1854) was a British artist, best known for his numerous drawings rendered into steel engravings. Bartlett was born in Kentish Town, London in 1809. He was apprenticed to John Britton (1771–1857), and became one of the foremost illustrators of topography of his generation. He travelled throughout Britain, and in the mid and late 1840s he travelled extensively in the Balkans and the Middle East. He made four visits to North America between 1836 and 1852.Bartlett's primary concern was to render "lively impressions of actual sights", as he wrote in the preface to The Nile Boat (London, 1849). Many views contain some ruin or element of the past including many scenes of churches, abbeys, cathedrals and castles, and Nathaniel Parker Willis described Bartlett's talent thus: "Bartlett could select his point of view so as to bring prominently into his sketch the castle or the cathedral, which history or antiquity had allowed". Bartlett returning from his last trip to the Near East suddenly took ill and died of fever on board the French steamer Egyptus off the coast of Malta in 1854.[2][3] His widow Susanna lived for almost 50 years after his death, and died in London on 25 October 1902, aged 91.[4]Source: wikipediaKeyword: 19thCentury
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"The Natural and Artificial Wonders of the United Kingdom" is a book that was published in 1825 by J. Goldsmith. The book contains descriptions and illustrations of notable locations including Stonehenge, Windsor Castle, Old Sarum, Mont Saint Michel, Lindisfarne Ruins, York Cathedral, and dozens of other noteworthy places and buildings[1]. The book was published by G.B. Whittaker and authored by Sir Richard Phillips[2]. The work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it[3]. The book has been reprinted several times, including in 2010 and 2016 [3, 5].Source:Perplexity.aiKeyword:19thcentury
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"The Gallery of Modern British Artists" is a book published in 1840 by D. Omer Smith. It consists of a series of engravings from the works of the most eminent artists of the day, including Messrs. Turner, Roberts, Harding, Clennel, Dewint, Austin, Messrs. Stanfield, Bonnington, Prout, Cattermole, C. Fielding, Cox, and others[1]. The book was first published in 1834-1836 as a series of watercolors by the Camden Town Group[2]. The book is available in a reprint edition[3]and can be found in libraries worldwide[4].Source: Perplexity.aiKeywords: 19thCentury, Memorabilia, ArtArch
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Philippe Ricord (1800-1889) was a French physician and specialist on venereal diseases[1] [2]. He was surgeon in chief to the hospital for venereal diseases and to the Hôpital du Midi[2]. Ricord won a worldwide reputation in his special field and was considered a true master in the field of STD[3] [4]. He was born in Baltimore to French parents who escaped arrest by coming to America as political refugees near the end of the French Revolution[5]. Ricord's contributions to the field of STD include suggestions on the cure of varicocele and on the operation of urethroplasty[2]"Illustrations of Syphilitic Disease" is a book by Philip Ricord that was originally written in French and translated into English by Thomas F. Betton[1][2][3][4]. The book contains 50 large quarto plates with 117 colored illustrations of syphilitic disease. It also includes a history of syphilis and a complete bibliography and formulary of remedies collated and arranged by Paul B. Goddard[1][2][4]. The book was first published in 1852[4]and has been reprinted in recent years[5].keyword: medhist, 19thCentury
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5/28/2023 A cool book about birding in Cambridge for my colleague and birder Collin Smith (@collinsmith). Amazing that this "niche" of bird-watching was so popular so long ago!Tom Paper 5/21/2023"The Birds of the Cambridge Region of Massachusetts" is a book about birds in the Cambridge region of Massachusetts, written by William Brewster and published in 190612. The book is part of the "Memoirs of the Nuttall Ornithological Club" series34. The Nuttall Ornithological Club was founded in 1873 and is one of the oldest ornithological societies in North America3. The book contains information about the birds found in the Cambridge region, including their habitats, behaviors, and physical characteristics12. It also includes illustrations of the birds by Louis Agassiz Fuertes, a well-known bird artist15. The book was well-received and is considered an important contribution to the field of ornithology6.William Brewster was an American ornithologist who was born on July 5, 1851, in South Reading (now Wakefield), Massachusetts1. He was the youngest of four children born to John Brewster, a successful Boston banker, and Rebecca Parker (Noyes) 1. Brewster was educated in the Cambridge public school system and spent his childhood observing birds2. At about the age of 10, he became close friends with a boy his age, Daniel French. French's father was a hunter and amateur taxidermist who displayed his skill in cases in his home. Brewster's father gave him a gun and taught him to shoot, providing a means of collecting birds to study1. He co-founded the American Ornithologists' Union (AOU) and was an early naturalist and conservationist13. He was also the first president of the Massachusetts Audubon Society4.The Nuttall Ornithological Club is the oldest ornithology organization in the United States, founded in 1873123. The club was named after Thomas Nuttall, a botanist and zoologist who published the first field guide for North American birds3. The club was established by a group of young fellows in and around Cambridge, Massachusetts, who were enthusiastic about birds2. The founding members included William Brewster, Henry Augustus Purdie, William Earl Dodge Scott, Francis P. Atkinson, Harry Balch Bailey, Ernest Ingersoll, and Walter Woodman3. The club's mission is to promote the scientific study of birds and their habitats4. The club has been influential in the field of ornithology and has published several journals including the Bulletin of the Nuttall Ornithological Club3. The club also co-founded the American Ornithologists' Union (AOU) with other ornithological societies in North America53.keywords: 19thCentury, memorabilia
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April 2024 Baltimore has been known as "The Monumental City" since 1827, when President John Quincy Adams gave a toast referring to it as such after visiting the city[1]. The nickname refers to the many monuments and memorials in Baltimore, including the Battle Monument which became the city's official emblem[1].In 1895, a book titled "The Monumental City: Its Past History and Present Resources" was published as a souvenir for the 121st anniversary of the Baltimore American newspaper, which was founded in 1773[2][4]. The book provided a historical overview of Baltimore up to that point in time[4].The book was likely named "The Monumental City" as a reference to Baltimore's long-standing nickname[1][2]. It highlighted the city's history, monuments, and resources as of 1895, over 60 years after the city had first been called "The Monumental City" by President Adams[1][4].Citations:[1] https://en.wikipedia.org/wiki/Baltimore [2] https://msa.maryland.gov/megafile/msa/speccol/sc3500/sc3520/001800/001819/html/1819sources.html [3] https://chap.baltimorecity.gov/woodberry [4] https://www.loc.gov/item/rc01003462/ [5] https://searchworks.stanford.edu/view/733822 https://www.perplexity.ai/search/what-is-the-gJGSbXUZS56e5a74SDvsQg#0 Voice Note TranscriptionI love this book about Baltimore, The Monumental City from 1895.Apparently, the Monumental City is a reference to all the monuments, memorials in Baltimore, including the Battle Monument. And um it's one of these you know just around the turn of the century very proud of their community kind of um documents promoting a city and telling us who all the people were in the city and somewhat like the bird's eye view maps are a tradition these books about cities and states and touting all the wonderful people in the community it's very patriotic very very excited about the future. In particular, the images that I found most interesting were number 10,this picture of a woman, a giant woman over the city, the harbor, the fruits and vegetables, the ships being built, the metalworking that's going on. That's image number 10.And then. And also image number 26was interesting. This is a picture of a house. When you look a little closer, there's a horse -drawn carriage and a man riding on a horse and a couple people on bicycles. And, of course, cars were, within the next two decades, going to become quite prevalent. The next page that was of interest was 39.This is one of those pages of all the dignitaries, the people in the city, all dressed in their finest. And 90,100except for two of the people pictured in this book are men. But interestingly, in the two pages where women are featured, they're on the top of the page. That's page 39.And then also page 43,an even younger crop of people and a woman on the top of the page. And then page 94,which is of a factory, and I was struck by the gaze of one of the workers in the factory, somewhat haunting gaze. And then the last page was of a steel, a steel mill, page 114,the foundry in particular, and all the metalworking going on, and these people standing and very proud of their, of what they were doing, stopping for a break, and then back at it, and it looks like hard work. keyword: 19thCentury
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shot 4/13/2024keyword: 19thCentury 8/29/24 (updated 11/29/25)"Switzerland Illustrated" by William Beattie is a two-volume work published in 1836 that features a series of scenic views of Switzerland. The illustrations were specially created by the artist W.H. Bartlett expressly for this publication. The book combines the beautiful artistic depictions of the Swiss landscape with informative text by William Beattie, M.D., providing both visual and descriptive appreciation of Switzerland's scenery and notable locations. It is known for its combination of art and travel writing, capturing Switzerland in a picturesque and engaging way.William Beattie (1793–1875) was a Scottish physician, poet, and travel writer. He graduated with an M.D. from Edinburgh University and practiced medicine while engaging in literary work. Beattie is known for writing descriptive and historical travel works richly illustrated by his friend and fellow traveler, the artist William Henry Bartlett. Among his notable works is "Switzerland Illustrated," which combines his insightful text on Swiss history and geography with Bartlett's detailed scenic views. Beattie was also biographer of the poet Thomas Campbell and contributed to other literary and archaeological societies. He was a respected figure for both his medical and literary contributions and maintained friendships with prominent contemporaries. He died in London in 1875, leaving behind a diverse legacy of travel literature and poetry.Source: Perplexity.ai--G. Ly
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8/13/24 (updated 12/4/25)A First Book in American History by Edward Eggleston is an introductory narrative history of the United States for younger readers, told through short biographical and story-like chapters rather than through dense political or constitutional exposition. It begins with the age of exploration (Columbus) and proceeds through major figures and episodes up to Abraham Lincoln, the Civil War, and the Spanish‑American War, emphasizing character, adventure, and everyday life rather than detailed analysis.Content and ScopeThe book is organized as a sequence of vivid sketches about “illustrious figures” such as Columbus, John Smith, Franklin, Washington, Jackson, Morse, and Lincoln, using their lives to introduce key periods and events in American history. Its coverage runs from European discovery and early exploration, through colonial settlement and revolution, into the 19th century, industrial advances, territorial expansion, the Civil War, and the emergence of the United States as a larger continental power.Pedagogical ApproachEggleston wrote it specifically as a school text for beginners, aiming to avoid “dry” textbook presentation by using story form, strong narrative episodes, and plenty of illustration. The book includes numerous pictures and “picture maps” or bird’s‑eye views to help children visualize geography and historical settings, and each chapter often ends with simple prompts or questions to encourage retelling and retention.Themes and EmphasesThe work stresses personal qualities such as courage, perseverance, ingenuity, and integrity, presenting historical actors as moral exemplars as well as subjects of historical interest. It also highlights domestic life, frontier conditions, conflicts with Native peoples, and technological change, aiming to give children a concrete sense of how people in earlier periods lived, traveled, worked, and fought.Source: Perplexity.ai--G. Ly keyword: histtext 19thcentury
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7/8/24 (updated 12/4/25)Peterson’s Magazine was a long-running 19th‑century American monthly women’s magazine, published in Philadelphia from 1842 until 1898. It was particularly known as a middle‑class, affordable rival to Godey’s Lady’s Book, with a subscription price deliberately set lower than Godey’s to expand its readership.Origins and publishing historyThe periodical originated in 1842 under earlier titles such as The Lady’s World of Fashion and The Ladies’ National Magazine before standardizing as Peterson’s Magazine (or Peterson’s Ladies’ National Magazine) by the late 1840s. It was founded by Charles Jacobs Peterson (in partnership at first with George Rex Graham) and continued under his name as publisher, with later minor name changes like New Peterson Magazine in the 1890s until its cessation in 1898, when it was absorbed into Argosy.Content and featuresPeterson’s offered a characteristic blend of fashion plates, sewing and needlework patterns, domestic advice, recipes, short fiction, poetry, and serialized stories, very much in the mold of a “family and ladies’ book.” Colored and black‑and‑white fashion plates—often adapted from French sources but adjusted for “modest” American tastes—were a major selling point, accompanied by patterns and craft projects that readers could actually use.Readership and cultural roleBy the 1870s, Peterson’s reportedly reached a circulation of around 150,000, placing it among the leading women’s magazines of its day alongside Godey’s. It functioned both as a vehicle for popular literature (with contributions from writers such as Ann S. Stephens and Emily H. May) and as a guidebook to middle‑class domesticity and fashion in Victorian America.Source: Perplexity.ai Curated by G. Ly keyword: 19thCentury
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"Russian Nihilism and Exile Life in Siberia" is a book written by James William Buel, first published in 1883. It provides a historical account and chronology of the Nihilist movement in Russia, which was a revolutionary and anti-authoritarian ideology that emerged in the 19th century.[3][4][5] The book also describes the harsh conditions and experiences of political exiles who were sent to Siberia by the Russian authorities as punishment for their involvement in the Nihilist movement.[1][2][3][4][5]The book aims to document the violent suppression of the Nihilists by the Russian government, which Buel refers to as "Russia's bloody nemesis."[4] It offers a graphic and detailed portrayal of the exile life endured by Nihilists and other dissidents in the remote and inhospitable regions of Siberia.[1][2][3][4][5]Originally published in 1883, "Russian Nihilism and Exile Life in Siberia" is considered a historical account of the Nihilist movement and the brutal treatment of political prisoners in 19th-century Russia.[3][4][5] It provides insights into the ideological motivations of the Nihilists and the harsh realities faced by those who opposed the Russian autocracy during that period.Citations:[1] https://www.amazon.com/Russian-Nihilism-Exile-Life-Siberia/dp/1347127372[2] https://www.thirdplacebooks.com/book/9781017597554[3] https://www.amazon.com/Russian-Nihilism-Exile-Life-Siberia/dp/1017597553[4] https://www.thriftbooks.com/w/russian-nihilism-and-exile-life-in-siberia-a-graphic-and-chronological-history-of-russias-bloody-nemesis-and-a-description-of-exile-life-in-all-its-true-but-horrifying-phases-being-the-results-of-/19420098/[5] https://www.abebooks.com/book-search/kw/jw-buel-russian-nihilism-and-exile-life-in-siberia-a-graphic-chronological-history/James William Buel (1849-1920) was a prolific American author and journalist from the late 19th and early 20th centuries.## Biography- Buel was born on October 22, 1849.[2]- For many years, he worked as a reporter for a newspaper in St. Louis before leaving to pursue a career as a writer.[1]- He was a highly productive author, with his name appearing on the title pages of 54 published works.[3]- Buel wrote extensively on topics related to the American West, including biographies of famous figures like Wild Bill Hickok.[4]## Notable Works- One of his most well-known books is "Russian Nihilism and Exile Life in Siberia" (1883), which documented the Nihilist movement in Russia and the harsh treatment of political exiles in Siberia.[1][3]- Other notable works include "Life and Marvelous Adventures of Wild Bill, the Scout" (1878) and "Heroes of the Plains" (1879), which chronicled the lives of famous frontiersmen and scouts.[4]Buel was a prolific writer who contributed significantly to the literature on the American West and the history of revolutionary movements like Russian Nihilism in the late 19th century.[1][3][4] His works provide valuable historical accounts and insights into these subjects.Citations:[1] https://historyarchive.org/works/creators/james-william-buel [2] https://www.wikidata.org/wiki/Q94121513 [3] http://www.illinoisauthors.org/php/getSpecificAuthor.php [4] https://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=Buel%2C+James+W.+%28James+William%29%2C+1849-192[5] https://www.amazon.com/Books-James-W-Buel/s?rh=n%3A283155%2Cp_27%3AJames+W.+Buel https://www.perplexity.ai/search/what-is-the-FZUt7MPPREyt3xkBxeV3bA keyword: 19thCentury
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Shot 4/28/2024keyword: 19thcentury 8/29/24 (updated 12/15/24)This is a mid‑nineteenth‑century American Arctic travel narrative by Isaac Israel Hayes, recounting his 1860–61 attempt to reach high northern latitudes in search of the hypothesized “open polar sea.”Bibliographic detailsThe full title is The Open Polar Sea: A Narrative of a Voyage of Discovery towards the North Pole, in the Schooner “United States,” first published in New York by Hurd and Houghton in 1867. Hayes (1832–1881) was a physician and Arctic explorer who had previously served as surgeon with Elisha Kent Kane’s Second Grinnell Expedition, and he drew heavily on that prior experience in conceiving this voyage.Expedition and routeThe narrative describes a privately organized American expedition that departed from Boston in the small schooner United States, aiming to push north via Baffin Bay, Melville Bay, Smith Sound, and Kennedy Channel. Hayes used Smith Sound as his gateway, with plans to establish a base around Grinnell Land—a coast he believed he had identified on an earlier voyage—and then to explore northward over ice and by boat as conditions allowed.Structure and contentsThe book is structured as a chronological account interwoven with descriptive and scientific passages, including a long table of contents detailing episodes such as “Among the Icebergs,” “Entering Smith Sound,” “Our Winter Harbor,” and subsequent sledge journeys over the Greenland ice and sea ice. Hayes combines adventure narrative (gales, collisions with ice, near‑disasters among hummocked floes) with set‑piece descriptions of glaciers, ice dynamics, meteorology, and the seasonal return of Arctic flora and fauna.Themes and scientific ideasA central theme is the then‑popular hypothesis of an “open polar sea,” an ice‑free ocean surrounding the North Pole, inferred by some nineteenth‑century physicists and geographers from oceanic and atmospheric theories and scattered reports of open water at high latitudes. Hayes presents his journey as a test of this idea, discussing currents, “rotten ice,” and episodes of unexpectedly mild temperatures and open water in Kennedy Channel as suggestive evidence, even though later exploration would show that the concept of a permanent open polar sea was mistaken.Ethnographic and literary interestBeyond geographical and scientific aims, the book includes substantial material on Greenlandic Inuit communities: Hayes describes families such as that of Kalutunah, details clothing, household goods, subsistence strategies, and social practices like feasts and marriage ceremonies, while also lamenting the demographic decline of these groups under environmental and historical pressures as he understood them. Stylistically, it belongs to the Arctic exploration genre of the period, mixing romanticized landscape writing, patriotic rhetoric about American science, and close observational detail, which makes it valuable both as a historical source on mid‑Victorian polar exploration and as a specimen of nineteenth‑century travel literature. Isaac Israel HayesIsaac Israel Hayes was a 19th‑century American physician, Arctic explorer, and later politician, best known for his attempts to reach high northern latitudes and for promoting the idea of an “open polar sea.”Early life and medical trainingHayes was born on March 5, 1832, in Chester County, Pennsylvania, to Benjamin Hayes and Ann Barton (often given as Borton in local records), in a Quaker family background. He attended the Westtown School, a Quaker academy, and then studied medicine at the University of Pennsylvania, receiving his M.D. in 1853.Kane expedition and first Arctic experienceSoon after qualifying as a doctor, Hayes volunteered as surgeon for Elisha Kent Kane’s Second Grinnell Expedition (1853–55), which sailed on the Advance in search of Sir John Franklin’s lost Arctic expedition. During this voyage he helped map roughly 200 miles of previously uncharted coastline on the east side of Ellesmere Island (then called Grinnell Land), suffered severe frostbite that led to the amputation of three toes, and later turned this experience into his book An Arctic Boat Journey (1860).Independent Arctic expeditionsIn 1860 Hayes raised about $30,000 to lead his own American Arctic expedition in the schooner United States, aiming to approach the North Pole via Baffin Bay, Smith Sound, and Kennedy Channel in hopes of confirming an ice‑free polar sea. He probably reached a little above 80° N (he claimed 81°35′ N), misinterpreting open water in Kennedy Channel as evidence of a permanent “open polar sea,” and recounted the expedition in The Open Polar Sea (1867) along with other works such as the juvenile tale Cast Away in the Cold.Civil War service and later voyagesDuring the American Civil War, Hayes served as a Union Army surgeon and was appointed commanding officer of Satterlee General Hospital in Philadelphia. In 1869 he made a third Arctic voyage to Greenland aboard the Panther with marine and Arctic painter William Bradford, focusing on geographical and glaciological observations later published in The Land of Desolation (1871) and illustrated works on the Arctic regions.Public life, honors, and deathAfter the war Hayes entered politics, serving in the New York State Assembly, while remaining active in geographical and scientific circles. His Arctic work earned him medals from the Société de Géographie in Paris and the Royal Geographical Society in London, and he died in New York City on December 17, 1881 (sometimes misreported as December 7), unmarried but remembered as an important figure in developing the “American route” toward the Pole later used by Robert Peary.Source: Perplexity.ai-- G. Ly
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shot 4/28/24keyword: 19thcentury
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8/13/24 (updated 12/15/25)John Ruskin (1819–1900) was a leading Victorian English writer, art and architecture critic, and social thinker whose ideas deeply influenced aesthetics and social reform.Basic biographyRuskin was born on 8 February 1819 in London and died on 20 January 1900 at Brantwood, near Coniston in the Lake District. Trained at Oxford, he first became prominent in the 1840s and remained an important public intellectual for much of the nineteenth century.Roles and fieldsHe was a polymath: writer, lecturer, art historian, draughtsman, and philanthropist, active in subjects ranging from art and architecture to geology, botany, and political economy. Ruskin is often described as the most influential art and architecture critic of the nineteenth century and a prime example of the Victorian “sage” or prophetic moral essayist.Major worksRuskin’s early fame came from Modern Painters, begun in the 1840s as a defence of J. M. W. Turner and an argument for truth to nature in art. His other key books include The Seven Lamps of Architecture and The Stones of Venice on architectural theory, and Unto This Last, which set out his critique of contemporary political economy.Ideas and influenceRuskin insisted that art has a moral and social purpose and linked aesthetic value to honesty, craftsmanship, and the conditions of workers’ lives. His social and economic writings, which attacked laissez‑faire capitalism and stressed the dignity of labour, influenced later reform movements, including the Arts and Crafts movement and early welfare‑state thinking.LegacyHe founded the Guild of St George, a small utopian association meant to foster just, communal living, traditional crafts, and the preservation of nature. Ruskin’s criticism shaped artists such as the Pre‑Raphaelites and helped inspire later figures including Tolstoy and Gandhi, ensuring his continuing importance in art history, literature, and social thought.Source: Perplexity.ai--G. Lykeyword: 19thCentury,
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shot - 5/19/2024keyword: 19thCentury 8/29/24 (updated 12/15/25)The Brownie Year Book is a late‑19th‑century Brownies title in which Palmer Cox’s familiar brownie characters are used to personify and describe the months of the year. It sits alongside his better‑known Brownie storybooks but is structured more like a calendar in verse and picture.Basic descriptionThe Brownie Year Book is a collection of short poems that describe the Brownies’ activities for each month, accompanied by full‑page illustrations in Cox’s characteristic comic style. Each month becomes a vignette in which different Brownie types appear, engaging in seasonally appropriate work or mischief.Format and publication contextContemporary catalog records describe it as a pamphlet‑like or calendar‑style publication, rather than a long narrative volume, and date it to around 1895. It is generally attributed on the cover to “Palmer Cox” and was issued during the height of Brownie merchandising, when the characters appeared in calendars and other ephemera as well as in his main book series.Source: Perplexity.ai-- G. Ly
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keyword: 19thCenturyshot 5/19/2024 8/29/24 (updated 12/15/25)“Indian Child Life” is a juvenile book of short stories about Native American children, written by Therese O. Deming with illustrations by Edwin Willard Deming. It blends ethnographic observation with sentimental children’s literature, framed through turn-of-the-century non-Native perspectives on Indigenous life.Work and creatorsTherese O. Deming based her stories on notes and diary observations from time spent in Native communities, shaping them into brief narratives about daily experiences of children from several tribes (including Pueblo, Navajo, and others) rather than myth-based tales. Edwin Willard Deming, already known as a painter and illustrator of Native American subjects, supplied images that aimed to show housing, clothing, animals, and landscape in a relatively detailed, documentary way for young readers.Content and themesThe book is organized as a sequence of short episodes—children learning to hunt, caring for animals, playing in winter, or helping with family work—intended to humanize “Indian children” for a non-Native child audience. It emphasizes virtues such as courage, cooperation, and resourcefulness, while also presenting nature as both a classroom and a companion, reflecting contemporary ideals about the educational value of outdoor life.Historical context and significanceWhen first published in the early 20th century (often dated 1907, with later printings such as the 1927 Stokes edition), “Indian Child Life” participated in a broader vogue for “Indian” themed juvenile books and school readers in the Progressive Era. Its significance lies in how it functioned as an accessible visual and narrative primer on Native life for non-Native children, offering more everyday, domestic scenes than many sensational frontier or “Indian wars” stories, but still framed firmly from an outsider, assimilation-era viewpoint.Visual significanceEdwin Willard Deming’s illustrations helped fix a particular turn-of-the-century visual vocabulary for Native people in popular culture—plains headdresses, tipis, and camp scenes, alongside more regionally specific settings like pueblo dwellings. For historians of illustration and children’s publishing, the book is notable as a collaboration between a prominent “Indian painter” and a writer who explicitly positioned her text as drawn from firsthand observation, making it a compact example of how art and juvenile fiction mediated Native life to mainstream readers.Source: Perplexity.ai--G. Ly
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"The White Swans and Other Tales" is an 1885 collection of Hans Christian Andersen's fairy tales illustrated by Alice Havers and published in London by Hildesheimer & Faulkner.[1][2]It appears to be an early English translation and illustrated edition of some of Andersen's most famous stories, including his tale "The Wild Swans" (which the search results mistakenly refer to as "The White Swans").A few key details about this book:- It contained Andersen's fairy tale "The Wild Swans" (incorrectly titled "The White Swans" in this edition), along with other popular stories by him.[1][2]- The illustrations were done by English artist Alice Havers, known for her illustrations of children's books in the late 19th century.[1][2]- It was published in 1885 in London by the publishing house Hildesheimer & Faulkner.[1]- The same collection was later republished in 1922 under the title "The Wild Swans and Other Stories" with illustrations by Elenore Abbott and Edward Shenton.[2]So in summary, this 1885 volume represents an early translated and illustrated English edition of Hans Christian Andersen's fairy tales, with the art by Alice Havers bringing new visuals to stories like his famous "The Wild Swans" tale. It was part of the trend in the late 1800s of publishing compiled volumes of Andersen's works for English audiences.[1][2]Citations:[1] https://ca.wikipedia.org/wiki/Alice_Havers[2] https://www.encyclopedia.com/people/literature-and-arts/scandinavian-literature-biographies/hans-christian-andersen[3] https://www.gutenberg.org/files/27112/27112-h/27112-h.htm[4] http://onlinebooks.library.upenn.edu/webbin/book/browse?c=x&key=Children%27s+stories+--+19th+century&type=lcsubc[5] https://www.ipl.org/essay/Symbolism-In-The-Wild-Swans-32E9BB06C5328F23https://www.perplexity.ai/search/whats-the-history-JPenRzKZT6a_fkKllZsTyQ#1 keyword: 19thCenturyshot 5/19/2024
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